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  "authors": [
    "Thomas de Waal"
  ],
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    "Carnegie Endowment for International Peace",
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Source: Getty

In The Media
Carnegie Europe

Caucasian Circles

Although set in a mythological period of Georgian history, the narrative of Otar Chiladze's latest work is an allegory of the Georgian Soviet era.

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By Thomas de Waal
Published on Apr 5, 2013
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Russia and Eurasia

The Russia and Eurasia Program continues Carnegie’s long tradition of independent research on major political, societal, and security trends in and U.S. policy toward a region that has been upended by Russia’s war against Ukraine.  Leaders regularly turn to our work for clear-eyed, relevant analyses on the region to inform their policy decisions.

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Source: Times Literary Supplement

Some countries are burdened with troublesome myths. Georgia, supposedly the heir to the ancient kingdom of Colchis, has to deal with Medea, who, according to various legends, betrayed her father, colluded in the theft of the Golden Fleece and the death of her brother, and murdered her children. Medea still evokes passionate opinion in Georgia. In 2007 President Mikheil Saakashvili unveiled a tall column in the Black Sea city of Batumi, topped by a slender bronze Medea holding up the Golden Fleece. The anthropologist Tamta Khalvashi recorded one local intellectual railing that “they” (the pro-Western authorities) wanted to “trample on our traditions” by putting up a statue to a woman who “betrayed our country”.

This article was originally published in the Times Literary Supplement. 

About the Author

Thomas de Waal

Senior Fellow, Carnegie Europe

Thomas de Waal is a senior fellow at Carnegie Europe, specializing in Eastern Europe and the Caucasus.

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Thomas de Waal
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Carnegie does not take institutional positions on public policy issues; the views represented herein are those of the author(s) and do not necessarily reflect the views of Carnegie, its staff, or its trustees.

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